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Betty Menzies Built a House by Herself for Herself in Maine in July-August 1952, Fifteen Years before Her First Book PRINCETON ARCHITECTURE Was Published in 1967

The front cover of PRINCETON ARCHITECTURE, A PICTORIAL HISTORY OF TOWN AND CAMPUS, Princeton University Press, 1967, in its original dust jacket. With this book, in 1967, Princeton University Press recognized the importance of Betty Menzies’ off-campus photographs.

Figs. 26 and 27 from PRINCETON ARCHITECTURE of the Gulick house.

Fig. 28, PRINCETON ARCHITECTURE, detail of a doorway at the Gulick house.

Betty Menzies’ correction in the description of Fig. 27 in PRINCETON ARCHITECTURE, correcting “thick stone” with “clay-filled.”

In preparation for the photographs of the Gulick-Hodge-Scott House, Betty Menzies visited her friend and neighbor, Bert Gulick, December 28, 1964 and made notes in a dedicated spiral notebook.

Betty Menzies’ notebook of her visit to Bert Gulick’s houe on 12/28/1964

Bert Gulick's house. Betty Menzies' notes 12/28/1964

Betty Menzies’ notes of her visit to the basement in Bert Gulick’s house. Extraordinary preparation by a gifted architectural photographer.

Betty Menzies’ notes made during her visit to Bert Gulick’s attic on 12/28/1964. Note her quote of Bert Gulick: “Bert thinks this door is cut at an angle because the roof once came down here.” Lower down she refers to her own house at 926 Kingston Rd.

Betty built a one-room house by herself in Maine in July and August 1952, naming her creation, “Ida.” Unlike her collaborators on PRINCETON ARCHITECTURE, Betty had hands-on experience building in wood. Her eyes were as experienced as her hands.

The interior of “Ida,” with Willie, Betty’s beloved English bull terrier, enjoying the heat from the woodstove purchased in Ellsworth for $15.00. Betty used five-inch stove pipe. The length of “Ida’s” roof was 15 feet 6 1/2 inches. The height of the side boards was 89 inches.

Betty constructing “Ida,” taken by an unknown photographer.

Betty Menzies’ annotations in her copy of PRINCETON ARCHITECTURE, which she received October 4, 1967, noting on p. 7, “But NO buildings survived Oh Gawd!”

Betty Menzies’ letter to Constance M. Greiff pointing out the opportunity to make some corrections in the paperback edition, as well as to reconsider the contract and the “puny 5%.”

Elizabeth Grant Cranbrook Menzies, photographer-historian, was born in Princeton, New Jersey to Princeton University professor, Alan Wilfrid Cranbrook Menzies and Mary Isabella Dickson Menzies in 1915 and died there in 2003. Growing up in Princeton the only child of a Scottish-born physical chemist and a Scottish mother, who was a gifted pianist, artist and, also, an amateur photographer, Miss Menzies had an early formative exposure to both scientific and artistic methods. Following her parents’ wishes, she graduated from Miss Fine’s School in Princeton, Miss Menzies began taking pictures of her family’s friends as a teenager, among these early images are such notables as the Oswald Veblens and the C. J. Davissons. Having been taught the basics of taking and developing photographs by her chemist father, Miss Menzies began a love affair with the camera that was to last for more than sixty years.

In 1936, at the age of 21, she won a First Award and two Second Awards at the Fourth Annual Exhibition at Princeton for her celebrated portrait Albert Einstein in His Study 1939. This image was taken for Scientific American in commemoration of Einstein’s sixtieth birthday. C. J. Davisson, a fellow Nobel laureate and friend of both the sitter and the photographer was instrumental in persuading the camera-shy Einstein to allow his picture to be taken. It also launched Miss Menzies’ career as a free-lance photographer. On May 21, 1963, Miss Menzies was awarded a Tercentenary Medal for this portrait by the State of New Jersey. In 1949, Miss Menzies was one of seven exhibitors at the Philadelphia Salon of Photography, exhibiting The Sunset of Life. While working in Princeton in the 1940s and 50s as a free-lance photographer, contributing many images to the Princeton Alumni Weekly, she was hired by the Index of Christian Art as their staff photographer, a position that took her on trips abroad, collecting images for the Index archive.

During those years, Miss Menzies began quite spontaneously keeping a photographic record of the early American architecture in Princeton and elsewhere in New Jersey, especially as the historic buildings began to fall to the developer’s wrecking ball. Having taken her first architectural images as early as 1935, this was a natural progression in her development as a photographer. Later, when architectural history became a determined interest, she came under the tutelage of Princeton Professor Donal Drew Egbert, Professor of the History of Architecture at Princeton University. Attending his lectures by permission, in preparation for her first book, Princeton Architecture, a Pictorial History of Town and Campus, Princeton University Press, 1967, Miss Menzies received the Award of Merit from the American Association for State and Local History in 1968 for this, her first book. Miss Menzies other books are: Millstone Valley, Rutgers University Press, 1968, for which she earned a Certificate of Commendation from the American Association for State and Local History in 1970, and for which she also received the New Jersey Association of Teachers of English Award in 1970; Passage Between Rivers, Rutgers University Press, 1976, which earned her the Author Citation from the New Jersey Institute of Technology in 1978; and, perhaps her most out-spoken title, Before the Waters, the Upper Delaware Valley, Rutgers University Press, 1966, made very clear her preservationist views. In 1971, Miss Menzies received a Diploma from The Two Thousand Women of Achievement for Distinguished Achievement. In 1966, on the deaths of both of her parents, Miss Menzies stopped working for the Princeton Alumni Weekly. From 1954 to 1980, she was the staff photographer for the Index of Christian Art at Princeton University.

See: Who’s Who of American Women with World Notables, Sixth edition, 1970-71, and the World Who’s Who of Women 1973. Her photographs have appeared in national publications. Among the publications publishing her photographers were: Life, May 19, 1958, Vol. 44, No. 20, “Sammy”; The Saturday Evening Post, May 17, 1958, Vol. 230, No. 46, “Francis Henry Taylor”; Architectural Record, May 1958; Fortune, 1958, “Prof. Tukey”; The Philadelphia Inquirer, “Today,” April 1956; Holiday, July, 1950; Time, August 1948, “New Library.” Upon retirement from Princeton University in 1980, then-president William Bowen awarded Miss Menzies with the Seal of Princeton University Medal.

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Betty Menzies’ Lacquer Paintings Were on Sale in Princeton January 20, 1960

Menzies, Elizabeth G.C.. Bells Ring for the Fiesta from Sanctuario Los Remedios 1959.
Menzies, Elizabeth G.C.. Bells Ring for the Fiesta from Sanctuario Los Remedios 1959.  10 in x 25 in. Signed on the image. A lacquer spray painting, in shades of white, black, gray and pale blue, on Bainbridge Board No. 80 of superimposed semi-circular images inspired by the vaulted roof and cupola of Iglesia de Nuestra Señora de los Remedios built atop Tlachihualtepetl at Cholula, Mexico. This painting is one of a series of paintings photographer-artist Elizabeth “Betty” Menzies painted after visiting Mexico with Dr. Rosalie Green, her partner, on an image collecting trip for the Index of Christian Art at Princeton University, where she was the first official woman photographer. Ms. Menzies worked at the Index of Christian Art from 1954 to 1980. Iglesia de Nuestra Señora de los Remedios built atop Tlachihualtepetl was the reason for the official Index image-collecting trip. The juxtaposition of cultures and geometric shapes deeply impressed Ms. Menzies and resulted in her studies of the place, where  the ancient triangular shapes of the several buildings contrasted with the semi-circular vaulted roof of the Church of Our Lady of Remedies, founded in 1574 and enlarged in 1629 with a vaulted roof and cupola. Quetzalcoatl was the Aztec god of the wind, air and sun. One of the soldiers of Cortes is said to have carried a devotional effigy, which was hidden near Cholula among the aloes during a battle with the Aztecs.
Menzies, Elizabeth G.C. Untitled [Within the Great Pyramid of Quetzalcoatl at Cholula 1959].
Menzies, Elizabeth G.C. Untitled [Within the Great Pyramid of Quetzalcoatl at Cholula 1959]. 23 in x 28 in. Signed in the image at the lower right-hand corner. A lacquer spray painting on canvas of the tunnel within the great pyramid at Quetzalcoatl at Cholula, Mexico. Quetzalcoatl was the Aztec god of the wind, air and sun. This painting reflects Ms. Menzies’ awareness of the ancient lore with the yellow sun reflected in the overlapping geometric shapes within the tunnel, through which she made her ascent, of blue, white, pink, yellow and orange.
Elizabeth G C Menzies A Study of the Great Pyramid of Quetzalcoatl at Cholula Mexico 1959
Menzies, Elizabeth G.C.. A Study of the Great Pyramid of Quetzalcoatl at Cholula 1959. 12 in x 15 ½ in. Signed on the image. A lacquer spray painting on paper of superimposed pyramidal shapes with a burning yellow sun in varying shades of blue, white, orange and yellow, this painting is one of a series of paintings photographer-artist Elizabeth “Betty” Menzies painted after visiting Mexico with Dr. Rosalie Green, her partner, on an image collecting trip for the Index of Christian Art at Princeton University, where she was the first official woman photographer. Ms. Menzies worked at the Index of Christian Art from 1954 to 1980. Iglesia de Nuestra Señora de los Remedios built atop Tlachihualtepetl was the reason for the official Index image-collecting trip. The juxtaposition of cultures and geometric shapes deeply impressed Ms. Menzies and resulted in her studies of the place, where the ancient triangular shapes of the several buildings contrasted with the semi-circular vaulted roof of the Church of Our Lady of Remedies, founded in 1574 and enlarged in 1629 with a vaulted roof and cupola. Quetzalcoatl was the Aztec god of the wind, air and sun. One of the soldiers of Cortes is said to have carried a devotional effigy, which was hidden near Cholula among the aloes during a battle with the Aztecs. The condition is fine.
Town Topics Jan 24-30, 1960
Town Topics Jan 24-30, 1960
Detail Town Topics, Jan. 24-30, 1960
Detail Town Topics, Jan. 24-30, 1960
The Princeton Herald, Jan. 20, 1960, "Show Miss Menzies' Paintings."
The Princeton Herald, Jan. 20, 1960, “Show Miss Menzies’ Paintings.”


Elizabeth Grant Cranbrook Menzies, photographer-historian was born in Princeton, New Jersey to Princeton University professor, Alan Wilfrid Cranbrook Menzies and Mary Isabella Dickson Menzies in 1915 and died there in 2003. Growing up in Princeton the only child of a Scottish-born physical chemist and a Scottish mother, who was a gifted pianist, artist and, also, an amateur photographer, Miss Menzies had an early formative exposure to both scientific and artistic methods. Following her parents’ wishes, she graduated from Miss Fine’s School in Princeton, Miss Menzies began taking pictures of her family’s friends as a teenager, among these early images are such notables as the Oswald Veblens and the C. J. Davissons. Having been taught the basics of taking and developing photographs by her chemist father, Miss Menzies began a love affair with the camera that was to last for more than sixty years.

In 1936, at the age of 21, she won a First Award and two Second Awards at the Fourth Annual Exhibition at Princeton for her celebrated portrait Albert Einstein in His Study 1939. This image was taken for Scientific American in commemoration of Einstein’s sixtieth birthday. C. J. Davisson, a fellow Nobel laureate and friend of both the sitter and the photographer was instrumental in persuading the camera-shy Einstein to allow his picture to be taken. It also launched Miss Menzies’ career as a free-lance photographer. On May 21, 1963, Miss Menzies was awarded a Tercentenary Medal for this portrait by the State of New Jersey. In 1949, Miss Menzies was one of seven exhibitors at the Philadelphia Salon of Photography, exhibiting The Sunset of Life. While working in Princeton in the 1940s and 50s as a free-lance photographer, contributing many images to the Princeton Alumni Weekly, she was hired by the Index of Christian Art as their staff photographer, a position that took her on trips abroad, collecting images for the Index archive.

During those years, Miss Menzies began quite spontaneously keeping a photographic record of the early American architecture in Princeton and elsewhere in New Jersey, especially as the historic buildings began to fall to the developer’s wrecking ball. Having taken her first architectural images as early as 1935, this was a natural progression in her development as a photographer. Later, when architectural history became a determined interest, she came under the tutelage of Princeton Professor Donal Drew Egbert, Professor of the History of Architecture at Princeton University. Attending his lectures by permission, in preparation for her first book, Princeton Architecture, a Pictorial History of Town and Campus, Princeton University Press, 1967, Miss Menzies received the Award of Merit from the American Association for State and Local History in 1968 for this, her first book. Miss Menzies other books are: Millstone Valley, Rutgers University Press, 1968, for which she earned a Certificate of Commendation from the American Association for State and Local History in 1970, and for which she also received the New Jersey Association of Teachers of English Award in 1970; Passage Between Rivers, Rutgers University Press, 1976, which earned her the Author Citation from the New Jersey Institute of Technology in 1978; and, perhaps her most out-spoken title, Before the Waters, the Upper Delaware Valley, Rutgers University Press, 1966, made very clear her preservationist views. In 1971, Miss Menzies received a Diploma from The Two Thousand Women of Achievement for Distinguished Achievement. In 1966, on the deaths of both of her parents, Miss Menzies stopped working for the Princeton Alumni Weekly. From 1954 to 1980, she was the staff photographer for the Index of Christian Art at Princeton University.

See: Who’s Who of American Women with World Notables, Sixth edition, 1970-71, and the World Who’s Who of Women 1973. Her photographs have appeared in national publications. Among the publications publishing her photographers were: Life, May 19, 1958, Vol. 44, No. 20, “Sammy”; The Saturday Evening Post, May 17, 1958, Vol. 230, No. 46, “Francis Henry Taylor”; Architectural Record, May 1958; Fortune, 1958, “Prof. Tukey”; The Philadelphia Inquirer, “Today,” April 1956; Holiday, July, 1950; Time, August 1948, “New Library.” Upon retirement from Princeton University in 1980, then-president William Bowen awarded Miss Menzies with the Seal of Princeton University Medal.




 

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Elizabeth Grant Cranbrook Menzies, “Betty” Menzies Princeton’s First Official Woman Photographer

 

Betty Menzies in the darkroom in the basement of her home at 926 Kingston Road. One of the images unwanted by Princeton University because it was taken off campus.
Betty Menzies in the darkroom in the basement of her home at 926 Kingston Road. One of the images taken off-campus.
Self-portrait Betty Menzies of Her Face in the Mirror
Self-portrait Betty Menzies of Her Face in the Mirror, another image taken off-campus.

Dated June 10, 1980, President Bowen’s autograph letter included two commencement tickets to Betty: “Dear Betty, So often we have used your photographs as a way of expressing appreciation to people associated with Princeton. Now it is time to say ‘Thank You’ to you – for 26 years of outstanding service. And we thought we should find a different kind of memento! Please know that we shall continue to enjoy the results of your work through your beautiful books and photographs. – With best wishes – Bill Bowen.”  

Elizabeth Grant Cranbrook Menzies, photographer-historian was born in Princeton, New Jersey to Princeton University professor, Alan Wilfrid Cranbrook Menzies and Mary Isabella Dickson Menzies in 1915 and died there in 2003. Growing up in Princeton the only child of a Scottish-born physical chemist and a Scottish mother, who was a gifted pianist, artist and, also, an amateur photographer, Miss Menzies had an early formative exposure to both scientific and artistic methods. Following her parents’ wishes, she graduated from Miss Fine’s School in Princeton, Miss Menzies began taking pictures of her family’s friends as a teenager, among these early images are such notables as the Oswald Veblens and the C. J. Davissons. Having been taught the basics of taking and developing photographs by her chemist father, Miss Menzies began a love affair with the camera that was to last for more than sixty years.

In 1936, at the age of 21, she won a First Award and two Second Awards at the Fourth Annual Exhibition at Princeton for her celebrated portrait Albert Einstein in His Study 1939. This image was taken for Scientific American in commemoration of Einstein’s sixtieth birthday. C. J. Davisson, a fellow Nobel laureate and friend of both the sitter and the photographer was instrumental in persuading the camera-shy Einstein to allow his picture to be taken. It also launched Miss Menzies’ career as a free-lance photographer. On May 21, 1963, Miss Menzies was awarded a Tercentenary Medal for this portrait by the State of New Jersey. In 1949, Miss Menzies was one of seven exhibitors at the Philadelphia Salon of Photography, exhibiting The Sunset of Life. While working in Princeton in the 1940s and 50s as a free-lance photographer, contributing many images to the Princeton Alumni Weekly, she was hired by the Index of Christian Art as their staff photographer, a position that took her on trips abroad, collecting images for the Index archive.

During those years, Miss Menzies began quite spontaneously keeping a photographic record of the early American architecture in Princeton and elsewhere in New Jersey, especially as the historic buildings began to fall to the developer’s wrecking ball. Having taken her first architectural images as early as 1935, this was a natural progression in her development as a photographer. Later, when architectural history became a determined interest, she came under the tutelage of Princeton Professor Donal Drew Egbert, Professor of the History of Architecture at Princeton University. Attending his lectures by permission, in preparation for her first book, Princeton Architecture, a Pictorial History of Town and Campus, Princeton University Press, 1967, Miss Menzies received the Award of Merit from the American Association for State and Local History in 1968 for this, her first book. Miss Menzies other books are: Millstone Valley, Rutgers University Press, 1968, for which she earned a Certificate of Commendation from the American Association for State and Local History in 1970, and for which she also received the New Jersey Association of Teachers of English Award in 1970; Passage Between Rivers, Rutgers University Press, 1976, which earned her the Author Citation from the New Jersey Institute of Technology in 1978; and, perhaps her most out-spoken title, Before the Waters, the Upper Delaware Valley, Rutgers University Press, 1966, made very clear her preservationist views. In 1971, Miss Menzies received a Diploma from The Two Thousand Women of Achievement for Distinguished Achievement. In 1966, on the deaths of both of her parents, Miss Menzies stopped working for the Princeton Alumni Weekly. From 1954 to 1980, she was the staff photographer for the Index of Christian Art at Princeton University.

See: Who’s Who of American Women with World Notables, Sixth edition, 1970-71, and the World Who’s Who of Women 1973. Her photographs have appeared in national publications. Among the publications publishing her photographers were: Life, May 19, 1958, Vol. 44, No. 20, “Sammy”; The Saturday Evening Post, May 17, 1958, Vol. 230, No. 46, “Francis Henry Taylor”; Architectural Record, May 1958; Fortune, 1958, “Prof. Tukey”; The Philadelphia Inquirer, “Today,” April 1956; Holiday, July, 1950; Time, August 1948, “New Library.” Upon retirement from Princeton University in 1980, then-president William Bowen awarded Miss Menzies with the Seal of Princeton University Medal.

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Betty Menzies’ MILLSTONE VALLEY Praised by Julian Boyd as, “a product of the intellect of a scholar, the heart of a concerned citizen, and the hand of an artist.”

Sunday feature, full-page article on Betty Menzies' MILLSTONE VALLEY, in THE SUNDAY HOME NEWS, New Brunswick,  Page C-16, Sunday, October  26, 1968.
Sunday feature, full-page article on Betty Menzies’ MILLSTONE VALLEY, in THE SUNDAY HOME NEWS, New Brunswick, Page C-16, Sunday, October 26, 1968.
Sunday feature, full-page article on Betty Menzies' MILLSTONE VALLEY, in THE SUNDAY HOME NEWS, New Brunswick,  Page C-16, Sunday, October  26, 1968.
Sunday feature, full-page article on Betty Menzies’ MILLSTONE VALLEY, in THE SUNDAY HOME NEWS, New Brunswick, Page C-16, Sunday, October 26, 1968.

An especially important contemporary review of Betty Menzies’ six-year labor of love, largely unknown to those who seek to diminish and marginalize the importance of Betty Menzies’ images and texts relating to New Jersey and off-campus Princeton history and ecology. Princeton born and bred, Betty Menzies produced an enormous body of work which is not limited to — or restricted by — her work on the Princeton University campus as its first woman photographer.

Elizabeth Grant Cranbrook Menzies, photographer-historian was born in Princeton, New Jersey to Princeton University professor, Alan Wilfrid Cranbrook Menzies and Mary Isabella Dickson Menzies in 1915 and died there in 2003. Growing up in Princeton the only child of a Scottish-born physical chemist and a Scottish mother, who was a gifted pianist, artist and, also, an amateur photographer, Miss Menzies had an early formative exposure to both scientific and artistic methods. Following her parents’ wishes, she graduated from Miss Fine’s School in Princeton, Miss Menzies began taking pictures of her family’s friends as a teenager, among these early images are such notables as the Oswald Veblens and the C. J. Davissons. Having been taught the basics of taking and developing photographs by her chemist father, Miss Menzies began a love affair with the camera that was to last for more than sixty years.

In 1936, at the age of 21, she won a First Award and two Second Awards at the Fourth Annual Exhibition at Princeton for her celebrated portrait Albert Einstein in His Study 1939. This image was taken for Scientific American in commemoration of Einstein’s sixtieth birthday. C. J. Davisson, a fellow Nobel laureate and friend of both the sitter and the photographer was instrumental in persuading the camera-shy Einstein to allow his picture to be taken. It also launched Miss Menzies’ career as a free-lance photographer. On May 21, 1963, Miss Menzies was awarded a Tercentenary Medal for this portrait by the State of New Jersey. In 1949, Miss Menzies was one of seven exhibitors at the Philadelphia Salon of Photography, exhibiting The Sunset of Life. While working in Princeton in the 1940s and 50s as a free-lance photographer, contributing many images to the Princeton Alumni Weekly, she was hired by the Index of Christian Art as their staff photographer, a position that took her on trips abroad, collecting images for the Index archive.

During those years, Miss Menzies began quite spontaneously keeping a photographic record of the early American architecture in Princeton and elsewhere in New Jersey, especially as the historic buildings began to fall to the developer’s wrecking ball. Having taken her first architectural images as early as 1935, this was a natural progression in her development as a photographer. Later, when architectural history became a determined interest, she came under the tutelage of Princeton Professor Donald Drew Egbert, Professor of the History of Architecture at Princeton University. Attending his lectures by permission, in preparation for her first book, Princeton Architecture, a Pictorial History of Town and Campus, Princeton University Press, 1967, Miss Menzies received the Award of Merit from the American Association for State and Local History in 1968 for this, her first book. Miss Menzies other books are: Millstone Valley, Rutgers University Press, 1968, for which she earned a Certificate of Commendation from the American Association for State and Local History in 1970, and for which she also received the New Jersey Association of Teachers of English Award in 1970; Passage Between Rivers, Rutgers University Press, 1976, which earned her the Author Citation from the New Jersey Institute of Technology in 1978; and, perhaps her most out-spoken title, Before the Waters, the Upper Delaware Valley, Rutgers University Press, 1966, made very clear her preservationist views. In 1971, Miss Menzies received a Diploma from The Two Thousand Women of Achievement for Distinguished Achievement. In 1966, on the deaths of both of her parents, Miss Menzies stopped working for the Princeton Alumni Weekly. From 1954 to 1980, she was the staff photographer for the Index of Christian Art at Princeton University.

See: Who’s Who of American Women with World Notables, Sixth edition, 1970-71, and the World Who’s Who of Women 1973. Her photographs have appeared in national publications. Among the publications publishing her photographers were: Life, May 19, 1958, Vol. 44, No. 20, “Sammy”; The Saturday Evening Post, May 17, 1958, Vol. 230, No. 46, “Francis Henry Taylor”; Architectural Record, May 1958; Fortune, 1958, “Prof. Tukey”; The Philadelphia Inquirer, “Today,” April 1956; Holiday, July, 1950; Time, August 1948, “New Library.” Upon retirement from Princeton University in 1980, then-president William Bowen awarded Miss Menzies with the Seal of Princeton University Medal.

Betty Menzies Nominated for Woman of the Week a Second Time on April 23, 1970

“Betty” Menzies’ Reviews: First Woman to Have Three Concurrent Exhibitions in Princeton in 1956